I must admit I have never encountered grain aliasing using Supra on my
LS-30. Where does this show up on the scan? Is it in darker or black
areas? I am interested as I think Supra is a superb film and I regularly
use it and scan it, so it would be useful to know where others are
encountering issues.
Here is a link to an image scanned on the LS-30 from a Supra 400 negative
(the picture of the girl called 'Lillie'):
I find the transitions between colours, the smooth tones and the accurate
flesh tone are the things that I like about Supra. Obviously there are no
dark areas, hence my question as to whether the aliasing is in dark or black
areas.
Simon
Maris V. Lidaka, Sr wrote:
> I have had the same results as John with Kodak Supra 400 on the Nikon
LS-30 - grain aliasing.
>
> Maris
>
> ----- Original Message -----
> From: "Simon Lamb" <simon@sclamb.com>
> To: <filmscanners@halftone.co.uk>
> Sent: Saturday, November 24, 2001 4:24 PM
> Subject: Re: filmscanners: Color Negative Film Poll
>
>
> | John
> |
> | I have had excellent results scanning Supra 400 on my LS30 using the
> | NikonScan 3.1 software and Vuescan. Is your reference to grain aliasing
> | with Supra 400 related to the scanner or your experience with the film?
> |
> | Simon
> |
> | John Matturri wrote:
> | >
> | > Exposure latitude. More important for street photography and
> | > the like than for many other types of work. 100 films also
> | > are a problem when shooting moving things, especially if you
> | > want good dof. (I do, however, use ProviaF 100 pushed a
> | > stop.
> | >
> | > That said, I've had terrible grain aliasing problems with
> | > Supra 400.
> |
>
>
