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filmscanners: artificial light
How filmscanners get away with negatives exposed in tungsten halogen light?
I do a lot of stage photography and during the printing process I get quite
neutral prints but is this the case with filmscanners? Having made recently
contact sheets from my negs on ,y new flatbed I noticed that a frame exposed
in tungsten lighting is totally lemon yellow on the scan. Is it coorrectable
as in standard photographic process?