This why I use the Fuji emulsions... REALA in 35mm and NPS/NPL in 4x5... I shoot
in mixed light (daylight/tungsten/flourescent) with NO FILTERS and get great
results... I've been the gels/flourescent filters/this and that route... that's
the problem with trannies on interiors...
Tony Sleep wrote:
> On Wed, 28 Mar 2001 18:04:01 +0100 Michael Wilkinson
> (email@example.com) wrote:
> > If you are working quickly its almost impossible to use gels unless
> > you've used the location before.
> Specially if it's flourescents ;). However, then it's difficult to see the v/f
> > The drawback to any on camera colour correction though is that in mixed
> > lighting you can only correct for one source.
> Tony Sleep
> http://www.halftone.co.uk - Online portfolio & exhibit; + film scanner info &