If the camera is good enough for the application, then they not only get
the pictures much more quickly, but they save a lot on film and
processing.
ktrout@hotmail.com (Lynn Allen) wrote:
> OK, but the important question is "What is a D1x?" How expensive,
> compared to a good SLR?
>
> Film is a long way from dead (as Kodak has found out, probably to their
> great relief--or maybe not, considering how much they invested into the
> technology), but digital is catching up fast. IMHO, there's definitely
> room enough for both, but the speed of things is mind-boggling.
>
> Best regards--LRA
>
>
> >From: Isaac Crawford <isaac@visi.net>
> >Reply-To: filmscanners@halftone.co.uk
> >To: filmscanners@halftone.co.uk
> >Subject: Re: filmscanners: Digital Shortcomings
> >Date: Mon, 25 Jun 2001 13:22:29 -0400
> >
> >Tony Sleep wrote:
> > >
> > > On Sun, 24 Jun 2001 01:15:00 -0700 Karl Schulmeisters
> > > (karlsch@earthlink.net) wrote:
> > >
> > > > Respectfully, many pros are switching to digital.
> > >
> > > For newspaper use it's standard now. But I was recently speaking to
> > > an >AP
> > > photographer who was grumbling that he has to try and shoot
> > > everything
> > > twice now - on dig for the wire, and film for the magazine market
> > > which >AP
> > > are now trying to muscle in on.
> > >
> > > Regards
> > >
> > > Tony Sleep
> > > http://www.halftone.co.uk - Online portfolio & exhibit; + film
> > > scanner
> > > info & comparisons
> >
> > Check out
> >http://www.dpreview.com/news/0106/01062301d1xtwopagespread.asp for the
> >story of a two page spread in Sports Illustrated shot on a Nikon D1x.
> If
> >this looks decent (I haven't seen the mag yet), it could be the end for
> >film in weekly magazines...
> >
> >Isaac
>
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